Colour Your Writing With Synaesthesia

Colour Your Writing With Synaesthesia

What is synaesthesia? We explain what it is and give you ways to colour your writing with synaesthesia.

What Is Synaesthesia?

A rare medical condition, synaesthesia is what happens when someone experiences two or more of the senses when, in fact, only one sense or sensation is being experienced.

People with this condition ‘taste’ words, ‘see’ sounds or scents, and even ‘hear’ colours.

For these people, the number ‘5’ may always present as ‘red’. They may hear a Bruckner symphony when they bite into a cheese sandwich. For others, Monday may look like a hipster in a black hoodie.

It’s not a hallucination but rather an altered way of receiving reality.

Colour Your Writing With Synaesthesia

In writing, we can play with the senses and take some creative license to tease the reader’s imagination. As a device or technique, literary synaesthesia can be used to make our descriptions more vivid and radiant.

We relate one sense – or sensation – to another sense to create imagery and emotion. Colour is attributed to sound, scent to colour and so on.  In fact, most of us use little bits of synaesthesia in our speech every day. We say, ‘That’s a cool idea’, ‘Why does she love those loud colours?’ or ‘The silence was icy!’

Try this exercise:

Use the five senses to make your descriptions come to life. Take an abstract emotion like love and complete these sentences using concrete objects:

Love looks like
Love smells like
Love feels like
Love sounds like
Love tastes like

You could say: Love looks like barbed wire, smells like burnt cookies, feels like satin, sounds like breaking glasses, and tastes like lemon juice.

Do the same exercises for words like ‘fear’, ‘pity’, ‘anger’, ‘hatred’, ‘joy’, etc.

How Can You Use Synaesthesia?

Well, you would mostly use it for description.

Examples Of Synaesthesia In Writing

Here are some examples that may give you an idea.

Touch as taste

▌Her body was an unrestrained palate for the senses, as Jamie’s fingers licked through the soft honey of her hair, his palm drinking in the smooth almond of her throat, before his mouth feasted, with delicate greed, on strawberry lips.

Sight as smell

▌Jill stood on the pier and looked out at the sea.  The crystalline light opened in her mind the lemon-scented lace curtains of her grandmother’s kitchen after laundry day. The restless blue-green waves suddenly filled her senses with the heady bubbled perfume her mother’s long baths before she went out dancing with her father. And the distant sun, hidden behind the clouds, as hypnotically fragrant as a vanilla incense in its smoky scent of hot and glimmering adventure. She closed her eyes, flared out her nostrils, and smelled the anticipation of the fragrant morning.

OK, a bit flowery – and perhaps bordering on simile or metaphor – but you get the idea. Synaesthesia can be fun. Even if you don’t use all the descriptions in your story, it will at least get the creativity flowing and open the imagination up to new ideas.

Try it.

Top Tip: Find out more about our workbooks and online courses in our shop.

 by Anthony Ehlers

If you enjoyed this post, read:

  1. Ripped From The Headlines: Writing The Topical Novel
  2. Revive Dull Descriptions With Simple Tweaks In Viewpoint
  3. Creating Tension In Characters, Plot, And Setting
  4. Memories To Trigger Your Descriptions
  5. The Big 5 Personality Traits

Top Tip: Find out more about our workbooks and online courses in our shop.

Posted on: 21st September 2017