The Anatomy Of A Scene

The Anatomy Of A Scene


In this post, on the anatomy of a scene, we discuss everything you need to know about writing a scene.

The Scene

In my first post in this series on writing scenes and sequels, I covered 10 things to remember about these storytelling devices. Please read the post here: Everything Writers Need To Know About Scenes And Sequels. In this post, I am going to cover the anatomy of a scene.

To recap, novels are made up scenes and sequels. As I wrote in a previous post:

  1. Action scenes are ‘…where your characters act. They mostly plan, seduce, argue, escape, search, meet, talk, pursue and investigate in scenes.’
  2. Sequels are ‘ …where your characters react. They think, reflect, process, rest, accept, and make peace in sequels. Sequels are also used to establish setting, reveal backstory, and show theme.’

So, let’s talk about scenes.

“In many cases when a reader puts a story aside because it ‘got boring,’ the boredom arose because the writer grew enchanted with his powers of description and lost sight of his priority, which is to keep the ball rolling.” ~Stephen King

We need to make sure that we have enough movement in our plot. The easiest way to do this is to include the correct number of action scenes (also known as scenes) in our novels.

Scenes are generally 1200-1500 words long.

The Anatomy Of A Scene

A scene can be divided into three parts:

  1. Goal
  2. Conflict
  3. Failure

Goal

The action scene is where the viewpoint character tries to achieve a short-term goal. The character believes this scene goal will help them reach, or come closer to reaching, their overall story goal.

Every action scene should involve another character who has a reason to oppose the viewpoint character. Other characters can also be present. [Suggested reading: The 4 Main Characters As Literary Devices]

Example: Overall Story Goal: Hector wants to leave his wife and start a new life. Scene Goal: Hector needs to get to the airport to stop his mistress from going home.

Conflict

In trying to reach the scene goal, the viewpoint character must meet with resistance, which leads to conflict with another character.

This resistance could include:

  1. Delaying
  2. Fighting
  3. Teasing
  4. Arguing
  5. Seducing
  6. Chasing
  7. Lying
  8. Waiting
  9. Searching
  10. Fleeing
  11. Manipulating
  12. Cajoling
  13. Insisting
  14. Taunting
  15. Demanding

Example: Scene Conflict: Hector has to drop his teenage daughter at home first. When he picks her up, she is late. They get into an argument and his daughter finally tells him why she was late.

Failure

The character must experience a failure in one of the following ways:

  1. They fail to achieve the scene goal.
  2. They fail to achieve the goal and learn of another problem that makes things worse.
  3. They achieve the scene goal but learns of another problem that must be dealt with.

This failure must seem like a natural consequence of their efforts. It should not be coincidental, for example, someone who is arguing with a neighbour cannot lose the fight because a storm comes up and forces them inside.

Example: Scene Failure: Hector fails to get to the airport and he finds out that his daughter has a life-threatening illness. (Option 2 of the failures)

Most action scenes are followed by another and another. Only if the action scene has a devastating result should we move to a reaction scene or sequel.

When you understand the anatomy of a scene you will be able to use it properly in your books.

Look out for next week’s post: The Anatomy Of A Sequel

Click here for your scene templates

by Amanda Patterson

If you enjoyed this article, read:

  1. Everything You Need To Know About Scenes And Sequels
  2. 33 Fabulous Resources To Use When You Name Characters
  3. Begin. Pause. Play. – How To Structure Your Children’s Story
  4. A Tense Situation – 5 Tips To Help You Write A Gripping Read
  5. 12 Crucial Things To Remember About Setting

Top Tip: If you want to learn how to write a book, sign up for our online course.